Author Blogs

The worst part of being an indie author is that you are required to do all of your own marketing and promotion. You always wonder if you are missing something, some way of connecting to your audience. There’s lots of advice out there about having your own blog, so this week, I did some research of what other authors talk about in their blogs.

I was lucky enough to find a list of ‘well-crafted’ author blogs compiled by a well-known site for authors. So I checked out the first dozen or so.

The first thing I noticed was that all of the blogs I was connected to were over a decade old, even though these blogs got points for being ‘frequently updated’. In one or two cases, newer posts were easy to find; but in most of them, I was stuck with the post I landed on, looking for similarities, differences, anything that might tell me what made a successful author’s blog.

Two or three of them were down-right political in nature. I have my political views, of course, but I don’t like cramming my views down other people’s throats, nor do I like having other people’s views crammed down mine. I didn’t spend much time on those sites.

One blog page consisted of boxes with a headline in each box. The headlines did not make much sense to me, perhaps because I wasn’t familiar with that author’s work, and that’s what they pertained to.

One blog page was a guest blog by a friend of the author, who waxed poetic about how much better his life was, now that he had adopted just one of the attitudes suggested is the author’s non-fiction self-help book. Well, that was an interesting possibility... if I wrote non-fiction self-help books.

Several of them talked about their current Work In Progress, which was pretty much what I expected. But even now, I’m not sure how that can be done effectively, given a blog that gets a new post every week, which is the absolute minimum suggested by all the advice given to authors that I’ve seen.

Now, I don’t write 8 hours a day. I am an editor and publisher (and person) as well as an author, and so I spend 8 hours (and more) at my computer, I do not spend 8 hours a days working on my own stories. Not even 8 hours writing, re-writing and editing my own stories. But let’s look at some math:

Suppose an author writes 8,000 words a day ( that’s 1,000 words per hour, and boy, is that fast!) 5 days a week produces 40,000 words. To the best of my knowledge, a typical romance is about 80,000 words, so that’s 2 weeks of work, just for a rough draft. One romance writer complained that she had finished her rough draft, only to have her editor tell her it had problems, problems so bad that she (the author) was going to have to step back and rethink the entire story. And yet, that author still managed to include in her blog post an excerpt from that story.

I’m left wondering, does she include an excerpt with every blog post? Even if all she did was tell her audience about whatever she had written that week, she is basically telling them the story before it ever gets published.

And that’s during the rough draft stage. What does she do during the rewrites? More excerpts? Explanations of what she’s changed?

I don’t really understand, so I guess I’ll have to continue studying blogs by other authors, preferably more than one post by the same author. Do any of you know of an author whose blog you feel would be a good example for me to study?

In the meantime, I’ll return to writing about the science I’ve self-studied.

Dealing With Characters

If you read my other blog (MacOnFireball.blogspot.com), you may have seen my facebook post a couple weeks ago that I couldn’t post that week’s episode because Bugalu was being a jerk, and I had to do a major rewrite. As I did the rewrite, Mac was hostile and everybody started explaining everything! (As you know, Bob, Earth’s moon orbits around Earth, and it takes about 28 days to do it.) The only thing worse than an info dump is a completely unnecessary info dump!

I used to say that I start with a character, and they tell me their story. Well, kinda sorta. Sometimes, I start with a scene (a battleground after the battle) or an experience (being tossed off a cliff like a piece of garbage). Then I start wondering, “Who would be in this situation? How did they get here? Or, if it’s more interesting, what will they do now?”

No matter how tight-lipped a character starts out, by the time I’ve written 3-4 thousand words about him/her, they have layers of likes, dislikes, memories, experiences, hang-ups and maybe even dreams. They are no longer 2-dimensional (an apprentice wizard), they are developing some depth (Her teacher has gotten frail during her apprenticeship, so she feels she should stay and take care of him).

I get to know my characters pretty well. You’d think that would be a good thing, but... it has its drawbacks.

When they start telling me their story, they might not give all the details. We don’t know each other very well, and they don’t think their life is that interesting, usually, so I can’t blame them for editing what they give me. And I don’t usually question much while I’m getting the rough draft down. But when I start going through the next draft, I start asking for details.

“Smitty, I’m not sure I understand. Mac just came on board, and you’re already out of sorts with her. Did she do something to irritate you?”

“She stared at me from the moment her transpod opened!”

That hadn’t been mentioned before. Obviously, that scene needed expanding so the reader would know he was not - normally - an old sour-puss.

“He’s passed over plenty of hopeful subordinates who would say he is.”

“He decided they wouldn’t fit his team. Part of being an officer. Hold your peace, Drake. She’s talking to Smitty.”

Okay. Maybe I should say here that I’ve been working on Mac’s adventures on the Fireball for about 40 years. That’s a long time to have the same people living in your head. Yes, we’ve taken breaks - some of them pretty long - and they’ve had to share my head with plenty of other characters during those decades. But I think it’s safe to say that I REALLY know Mac, and the rest of the crew.

How well do you know your siblings or spouse? If you’re having a bad day, do they know it? Or do you still hide that away?

When I confronted Bugalu about being a jerk in the soon-to-be-posted episode, he responded with, “I was trying to make Mac get her temper under control. It’s not like I haven’t talked to her about that before.”

Sure enough, Mac was verging on a rampage, until Bugalu had shocked her by being a jerk. I put on my ‘director’/counselor hats, and we worked to get their moods more... settled in the story.

Oh, and the un-necessary explaining? It happens from time to time, mostly in a rough draft. I just pull my editor hat on tight and remove the unnecessary bits. In this case, 2 pages of ‘splainin’ became 6 lines. 5.5 lines. Somewhere in there.

I don’t want my characters to edit their story. That’s part of my job.

Fighting between characters? Maybe, because siblings fight. Spouses fight. After 40 years, you have to expect an occasional disagreement. But if it becomes part of the story, it needs a reason. Something other than, “I was having a bad day.”

A Tell of Caution

It’s easy enough to do. But just because you can do it, doesn’t mean you should do it. Especially when you are trying to establish yourself as an up-and-coming author.

I’m sure most working mothers know what I’m talking about: Spreading yourself too thin. Most working mothers are still expected to do (most, if not all of) the housework, get the groceries, do the cooking, take care of the kids, AND do their job. Even without adding any hobbies to help them stay sane, they are spread mighty thin. It gets to the point where you have to get sick, just to get some time to yourself.

Been there, done that.

When I took early retirement, I wanted my next ‘career’ to be ‘author’. I had been working at it for years. I had numerous short stories already written and polished, but none had found a home yet. I had a novel ready for submission, one in the polishing stage, and another drafted, besides several started, and many more ‘stewing’ in the back of my mind.

But suddenly finding yourself without a job to go to can leave you floundering. Without thinking about it, I dithered through my days watching tv, surfing the net, half-heartedly doing aspects of house cleaning I had never bothered to do before. (BTW, I hate housekeeping. It never gets done!) I signed up for six or a dozen newsletters on writing, and more on ‘promoting your book’. Anything to keep from actually writing, it seemed.

I even hired myself out as a free-lance editor. I told myself I needed to do that; I no longer belonged to a writing critique group, and editing would give me a chance to recognize ‘problems’ and try to solve them. Yeah, I can find other people’s problem areas, but I’m not sure I’m any better at finding my own.

I started new hobbies, took classes on leatherworking, theatrical makeup and making prosthetics, photoshop and illustrator… you get the idea. I volunteered for a position with Broad Universe (broaduniverse.org). And because I was frustrated with my pace in the writing world, I started my own publishing company. Why not? It seems like everybody else is doing it.

Somewhere in there, when I wasn’t paying attention, I got thin. Not physically, although I have lost a few pounds. But in terms of energy, I have none. In terms of organization, that’s pretty sketchy. I start each day with breakfast, doing my Broad Universe chore, and checking through my (main) email account. After that…

I have a loooong list of Things To Do. And unfortunately, ‘writing’ is not very high on that list.

How can I be an author if I don’t write? Why are all these other things coming before ‘writing’? I’m juggling a multitude of activities, but what I really want isn’t even in the mix.

I think it’s time to snap back and not be so thin.

Not Exactly Writing

If you follow me on Facebook, then you know our house has been under renovation for two months. They were supposed to be done this past Sunday, Aug 7. I decided I’d better get busy with the outside work that we didn’t contract for them to do.

 Our lawn has lots of deep shade, so we have large swaths where nothing grows. Oh, an occasional weed might stick its head up, but not many. All summer, my husband and I argued whether we could get any grass to grow in these places. One of the workers recently suggested we cover these naked spots with mulch, which we thought was a great idea.

 So I measured these bare spots to figure out how much mulch we need, including in the front yard. Putting mulch in the one bare spot in front would provide a more ‘uniform’ look as a whole. As I measured, I couldn’t help but notice the terraces where bushes had once lived. “I’ve got to pull these weeds, too! They make the place look so… sloppy.” And that led my eyes to the house foundation, where the paint was cracked and peeling.

 So the chore of putting down mulch suddenly became the chore of ‘pulling weeds, scraping the foundation, painting the foundation, and putting down mulch.’ And in some areas, I also get to ‘find’ the sidewalk because dirt and grass have grown over the edges.

 I know a writer who puts out a newsletter every week. And it seems like almost every week, whatever chore she’s done could be compared to writing; whether she weeded her garden, fed the chickens, adopted a dog or played Guitar Hero with her son, it always bore a striking resemblance to writing.

 So as I’ve been doing this yardwork, I’ve wondered how it would compare to writing, if I were to adopt her perspective. And actually, I think it bears more resemblance to RE-writing. Once I have my rough draft, and I’m ready to make it ‘the best it can be’, I follow similar steps to this yard work. Let me explain:

 Weeding – Weeds make your garden or lawn look jumbled and keep your eyes from understanding what you are looking at. For me, draft 2 is when I go back and put in every explanation, every adjective and adverb and description I think a reader might need or want. Adding in all these things is different than pulling out weeds, but pulling weeds allows the reader’s eyes and mind to see what you intended for them to envision, and that’s what I’m trying to do with draft 2.

 Scraping the foundation – Scraping off loose paint lets you get down to a solid surface so that the final result is pleasing to the eye. In draft 3, I look at every word, phrase, sentence and paragraph with one thought in my mind; ‘Do I really need this? If yes, is there any way to shorten it without warping what I’m trying to say?’ Kind of like scraping off the paint that doesn’t want to adhere any more. I’m getting my story down to the basic core – the foundation.

 Painting & mulching – A coat of paint on a house’s foundation and some mulch can make the whole yard look prettier, cared for and cohesive. I call my 4^th draft ‘making it pretty’. I check the grammar and punctuation, my use of pronouns, keep an eye out to make sure I haven’t overused some word or phrase.

 And finding the sidewalk? I prefer a clean, broad sidewalk, rather than one with dirt and grass covering half of it. In writing, this does not take yet another rewrite; it is incorporated into all my rewriting efforts. I try to find tired clichés (dirt & grass) and replace them with what I hope are new phrases that will get the thought across to the reader (more sidewalk.)

 No, I won’t say the 9 very hot hours I spent last week doing this yardwork was the same as if I’d spent those 9 hours writing. I will say that if you use some imagination, you can find similarities between them. And, since most of this yardwork is fairly mindless, I did get some thinking done about the next scene I needed to write.

No Words

So, here we are, in the middle of October, and I have not written anything this year.

Oh, I've re-written parts of one of my stories, edited part of another, and I've edited, copy-edited and proofed stories for others. But I haven't worked on any rough drafts. NO words have been added to any of the stories sharing camping space in my mind.

Believe me, it's getting crowded.

I spent last night wondering why. Today, I don't care why. Why doesn't really matter; all the whys I came up with really boiled down to; I didn't bother to make the time.

Starting today, I have resolved to MAKE the time. One isn't a writer if one doesn't write.

It's not that hard to find the time; the tv gets shut off at 8 or 9 pm, and I don't go to bed until at least midnight, so that's 3-4 hours when I need to be quiet. I'm already in my office, on my computer, but I've been spending those hours playing games. 'Relaxing', I told myself, but if you've ever been stuck on Level 27 of Fritz for weeks at a time, you know that playing games is not necessarily relaxing.

When I was employed, those hours used to be prime writing time. I see no reason why they can't be again. Those hours are much better (for me) for writing than the morning, when my brain is still trying to figure out what day it is. I have never been a morning person, I have always been a night owl.

So it's simple. Use those hours for rough drafts. Why didn't I think of that before?

No, don't get distracted by 'why'. Just write!

Right! Now, which story idea should I start with first? Telepathic horses? Cali 2? Reincarnation & the NeverEnding War? Or maybe-

Toss a pair of dice! It doesn't matter; they all want to get told. Just write!

Okay. Will do. Ummmm, right after I tell my Little Men in Tribez how to keep busy for the next few hours.

Sigh.

1 + 1 =

Last week, I talked about where I get ideas for my stories. I’m continuing that, because I thought I’d walk you through a ‘new’ idea, so you could get a glimpse of ‘my brain at work’.

A few days ago, Hub and I went to the movies. We don’t go often, and when we do, we tend to see 2 movies. This time, we saw “Edge of Tomorrow”, followed by “Maleficent”. Something of a mixed bag.

In “Edge of Tomorrow”, the Earth is invaded by aliens, and the Hero - a military reporter - pisses off a general, then finds himself on the front line with no training. He survives long enough to get the safety off his weapon and kill an alien that kills him. He awakens the previous morning, assigned to the front lines without training. Each time he dies, he returns to the previous day. Just as in “Ground Hog Day”, the Hero must figure out what he needs to do differently to get out of this time loop.

“Maleficent” is the tale of Sleeping Beauty told from the point of view that Maleficent was not evil, just mis-understood; portrayed as evil by humans who related the story after the fact. I have often heard that villains don’t see themselves as evil, so this re-telling did not scar my psyche too badly.

The next morning, I had (some) memories of an interesting dream that involved people, each with some super-human power. There were 2 groups, unable to agree and constantly battling. When they died, they eventually returned to life, but not necessarily on the same side as before.

I took the bones of this dream and added different bits and pieces to see what happened. Reincarnation and exceptional people. Did they remember their previous lives, that they were ‘special’? I decided they did, but not until adulthood, when flashes of memory would start coming to them. They not only might change sides in the Big Argument, whatever it was, they might not have the same power, either.

I chose a protagonist, during a life when he lived a few decades. Now, what kind of setting? Science fiction? That was too broad. Modern paranormal? No, they’d just be another group of comic book characters.

Fantasy post-apocalyptic! In a world where magic and the fey exist, cities and castles were reduced to rubble during the Great War. Generations later, the War Magic is finally beginning to dissipate from these places.

I sketched out the basic story line in half a page of 20-pt font, devoted another page to other background info, like names and special Talents, and started my rough draft. I have 2000 words done, which is not bad for 2 days of stolen moments. I don’t have an outline, because I haven’t answered some important questions. I’m stumbling around, creating background and conflict as I go, which is how I originally wrote (before I figured out what an outline was), and many others do.

And another story is started.

Like I needed another character whispering in my ear, another story to be written! I can hear my characters laughing, and my muse asking, “Who said an author’s life was orderly?”

Vampires!

Okay, I promised to tell you a bit about the stories I’ve sold (so far) this year. Today I’ll talk about the first one.

I saw a call for submissions for an anthology on vampires. They didn’t want the sparkly kind, they wanted more of the nitty-gritty kind. Now, I like vampires as much as the next person, but I haven’t written a lot of stories about them because I rather thought there wasn’t much more that could be said. Wasn’t it about time for their trendiness to peter out?

However, I did have this one story... so I sent it in, and it was accepted!

The rough draft for this story was written 10 years ago, while the family (including me) was on a week-long Caribbean cruise. Yes, even on vacation, I need to write, and I find time to write. If you see me at a convention - or any place, really - and I’m scribbling in a notebook, I’m probably writing a rough draft. [This can get irritating when I get home, because I know I wrote 5 scenes on this rough draft, but where did I put the notebook?]

There’s also a werewolf in this story. Vampires and werewolves are often paired together, but I don’t have the werewolf subservient to the vampire. In my universe, both of these creatures have been around a VERY long time. The vampire isn’t sure how she became a vampire, and the only werewolf either of them has seen is the one that attacked the current werewolf. Neither of them really fits in with ‘normal’ humans, although they can pass for human. Sometimes they go their separate ways, but more and more, they hang with each other, for decades or centuries at a time.

I’d like to write more stories about Wolfie and Vamps, maybe even a book or two, but so far, they haven’t been loudly demanding my attention. [So many stories, and only 24 hours in a day.]

I understand this 2-volume anthology is scheduled for an October release, maybe for Halloween? I’ve already gone through the editing phase for my story, and I’m anxious to actually see this in print, to hold it in my hands.

Stay tuned for future details on that!

Gardening Your Stories

I spent part of Saturday doing lawn work. I wanted to get grass seed down before it rained that night. I have seen other bloggers compare some aspect of their daily lives to writing, and it seemed terribly philosophical to me. But on Saturday, something clicked, and I could see a type of connection between lawn work and writing. Maybe you’ll see it, too.

Before I put down seed, some of the bald spots needed raking to get up the last leaves that we didn’t get rid of last fall. These were mostly the small locust leaves that got left behind when we were concerned with more visible oak leaves that lay atop them. So, that could be seen as cleaning up the leftovers (unused scenes, dialogue, phrases, sentences, paragraphs) from the last story so that I have a ‘clean slate’ to work with.

There were weeds I wanted to remove; dandelions, clover, crab grass, even thistles. I didn’t get many of them, because using the rake had irritated the pain in my right shoulder, so I decided I would poison them later in the season, once the new grass was established. (It took a couple years, but that’s how we finally got rid of our wild strawberries.) Weeds like this might be compared to those leftover scenes and phrases that you absolutely loved in your previous rough draft, but aren’t going to suit your next story at all. Take the biggest, toughest of these and place them in a file for future reference... you might use them someday. Ignore the rest, unless they actually show up again in a story and again don’t fit. Then you ruthlessly edit them out... again.

I spread the grass seed by hand. I know how to do it that way. A spreader is not a complicated piece of machinery, but I just didn’t want to bother with it. I enjoy writing rough drafts, scattering words across the paper. Editing is filling bald spots, pulling weeds, making the whole thing look better.

Now I’m faced with two to three weeks of daily watering to let the grass grow and get well established. Writing a story takes time. The pervading wisdom is that you write every day, watering those words you scattered across the page until they form a strong, beautiful story.

Everybody dreams of having a beautiful lawn. Personally, I find working with words more satisfying than lawnwork. How about you? Would you like to compare your hobby or vocation to washing the dishes or mopping the floor?

Good Results; Bad Week

I tried an experiment early last week. I had decided I wanted to up my writing speed to about 1,000 words an hour, but first, I needed to have some idea how fast I currently write. So I got up, had breakfast, set my timer for 3 hours (the amount of time I had decided I could carve out of a day for my writing), and started a new story.

I can't say that I was not interrupted. The dog wanted out, or wanted to play, or the phone rang... each time, I paused the timer to take care of the interruption, and then came back to work as soon as I could. It actually took me almost 4 hours to get 3 hours of writing done.

How did I do? My 3 hours of writing got me 1,800 words of rough draft on a story where I only had a vague idea for the opening scene. It also included some brief research (How are these mythical creatures usually described?), and choosing names for characters. That averages out to 600 words per hour.

I suppose that sounds like I have a long, hard road to travel to get to 1,000 words per hour, but I don't see it like that. I was afraid that this test would have my speed at something like 600 words for the entire 3 hours, but instead, it shows me being a LOT closer to that initial goal I've set for myself. This was good news, indeed!

Unfortunately, after that day, my body started insisting I sleep 10-12 hours a day, and when I did get up, I tended to be dizzy more than not, which makes it hard to function. The ear/nose/throat specialist has put me back on a med I've been on before, but at a higher dosage. I will be on it for at least 6 weeks. I think it's working. Slowly. I haven't been doing much writing, other than that one day when I tested myself, and I hope I can get back to it. Soon!

In the meantime, my 'back burner' has plotted out the rest of that short story, worked out a thorny knot that had me stuck in another story, and started working out possibilities in a story I haven't even started outlining yet.

If I could type as fast as I think, I'd be doing a lot more than 1,000 words an hour!

Intensity

This past week, I learned something about writing I hadn't known before: How intense it can be.

I've been writing a short story to submit for an anthology for the last several weeks. I thought the deadline for submissions was January 15, and I started the story around December 15, so... not a lot of time. But I already had the story and characters in my head, so how hard could it be? I'd just whip that baby out and get it sent.

Have I ever told you I tend to run off at the keyboard? Words can just roll out of my head, down my fingers and onto the screen. And they do like crowds. For instance, this anthology wanted a maximum of 6,000 words. My rough draft was just shy of 15,000 words.

But I wasn't worried, even though I was already into January. I couldn't send it off without at least one re-write, and I always find 'unnecessaries' during re-writes; unnecessary words, phrases, paragraphs, heck, even unnecessary scenes! So, even though I needed to eliminate 3 out of every 5 words, I didn't let myself worry.

During that first re-write, I eliminated 6,000 words, leaving me with just under 3,000 words that still had to come out before I got that story small enough. At this point, a piece of me began to fret. Where could I possibly find that many words to remove and still have a story?

Now that I'm done, I have a theory: Once you eliminate the first layer of 'unnecessaries' (or layer of dirt in your house), your eyes can then see any remaining 'unnecessaries' (or clutter, trash, dirt) that you missed during the first run-through. If you've followed me on facebook these last 2-3 weeks, you'll know that I did get that story trimmed down to just under 6,000 words, and got it submitted on January 15th. (In the meantime, the deadline was pushed to February 15, but that's another story.)

Where does the intensity come in? Actually, it made itself known on the 16th. I got up, had breakfast and went to my computer as usual. As I was considering what chores and projects to tackle, a piece of my brain said, "Pull up that story, I bet we can pull a word or three from-" and I responded with, "No, we're done with that story. It's time to move on." It turned into quite an argument inside my head. I didn't get any work done that day. When I mentioned this internal argument to a friend, she said, "That shows how intense you became with your work on that story.

Intense? Me? Not an adjective I usually apply to myself. Then again, I don't usually have projects with such a tight deadline, either.

It's nice to know that, yes, I've got it in me.

Encouragement

Years and years (and years) ago, when I was a young girl, fascinated with the notion of writing my own stories, I received encouragement from a cousin a couple years older. He told me such things as I would need to rewrite my draft, possibly more than once. I didn't want to hear it, but he was right. I found his stories funny, silly and delightful, and I basked in the knowledge that he was willing to spare a few minutes to encourage me in my endeavors.

We recently started communicating via the internet, and he revealed he had started writing again. (Again? I did give it up after a particularly horribly comment made by my first husband, and that was the blackest two years of my life.) I don't know how long he went without writing, but I was happy to hear he was re-discovering it.

And I guess we've come full circle. Now I find myself encouraging him. Have you thought about doing this with your story? Would it make more sense if your character did this? Your rough draft doesn't have to be perfect; rewriting is part of the process, remember?

Encouragement and suggestions from other writers are why authors join writer's groups and go to critique sessions. Another example is last year's critique sessions at Worldcon in Austin. I had been shopping around a fantasy, and kept getting rejected, so what I wanted to know was, is there something wrong with this opening that I'm not seeing? The comments I received gave me some direction for my next rewrite of that opening. I was thrilled.

If a writer's group or critiquer gives you the impression your writing is crap, don't go to that group or person again. My husband and I quit one writer's group because one person in the group kept pointing out our 'mistakes' without saying anything kind or nice about our efforts. That's not encouragement, and it's not helpful.

So, way to go, cousin! I really like what you've written, even though I'm not sure I like any of your characters. Your description in that story is great, it really sets the tone. Oh, and by the way... Welcome back to writing.

Resolutions vs Goals

Have you made New Year's resolutions yet? If you read my blog last week, you know I've got lots of writing to work on in 2014. I didn't frame them as 'resolutions', because - let's face it - my resolutions last about one week.

Nearly all the blogs I've been reading talked about 'plans for the new year'. Those blogs are not calling them 'resolutions'. I think one called them 'hopes', but that seems nebulous and a source of pressure, so I prefer the term I saw more often: goals.

Resolutions tend to be vague; I'm going to diet, exercise, lose weight and get in shape this year! How do you succeed at that? If next Christmas, you have a piece of pecan pie, have you failed to diet? If you really can't find time to consistently work out, have you failed to exercise? If you only lose 40 of the 100 pounds you wanted to lose, have you failed? If on Jan 1, you can hardly walk from the bedroom to the kitchen, but by Dec 31, you can get all the way to the end of the block and back - even though you're still overweight and you still can't run a marathon - have you failed?

Goals need to be specific AND something that you can control. I'm going to get my first book published! is a resolution. I will continue to send my first manuscript to agents and editors this year sounds more like a goal.

With that in mind, I have started to look at my 'plans' for 2014, and turning them into goals:

·      >  I will lose an average of 1 pound a week through diet and exercise.

·       > Each time a manuscript is rejected, I will immediately send it to another market. (If suggestions were made on how it could be improved, I will take a week to go through and consider those suggestions before sending it out.)

·     >   I will compose 1,000 words per day and edit 1,000 words per day an average of 5 days a week.

·       > I will find opportunities to make personal appearances as an author an average of once a month.

Those are all things I have some control over. They are specific, but flexible. (If I have to arrange 12 appearances next December because I've been lazy and haven't done any all year, that averages to one a month, and I've succeeded.)

Believe it or not, I can do the 3rd one. I am currently writing 3 different projects and editing another. This past couple of weeks (yes, even in the confused haziness of impending Christmas), have been aiming at 1,000 words a day on the project with a short deadline, and about 500 words a day for the other two, then editing 1,000 words in the evening. And I try to work 7 days a week, so if I don't have a great day, I can make up for it.

Are you going to make resolutions? Or set goals? Let me know, and - if you don't mind - tell me just one of yours.

Looking Ahead

Okay, last week I looked back at 2013, so this week I'll try to figure out what I'm going to do in 2014 to get me closer to my goal.

The first thing that comes to mind is I've got to overhaul / reinvent the website. (www.MoonPhazePub.wix.com/MoonPhaze) I can't afford to hire anybody, so it's up to me. I've been gathering notes on what makes a good website, and I have people I can consult for their opinion, so maybe it won't be too bad. Still, it's not my favorite activity, so it will be slow-going.

Hubby and I will be attending the World Science Fiction convention in London, and the European Science Fiction convention in Dublin the following weekend. That has been occupying a lot of my time, trying to figure out the travel arrangements and all that. That long a trip will suck up a lot of our resources, so as far as personal appearances, the 'usual' local conventions may be the only ones I can plan to get to. Still, that doesn't mean I can't schedule some appearances at book stores, libraries or corn fields in the region that I can drive to in a day, so I will be trying to organize some of those.

MoonPhaze Publishing has wanted to print its first hard-copy book. We'll be looking at means of doing it that will not require thousands of dollars up front, like going with POD. Of course, if we happen to find a few thousand dollars to go to a regular printer, we'll switch gears again. In any case, having a paper-back book on hand could make those appearances mentioned in the previous paragraph more enjoyable, both for me and for anybody who attends them.

I've signed up for some classes in leatherwork! In at least two of my universes, I have a segment of the population who work with leather, and this will help me 'identify' with them. Besides, I like to learn new things.

As far as writing, I've got 4 contests/anthologies to submit to during the first 2 months of 2014. It's time for my second novel (romance) to start looking for a home. My third novel needs some rewriting & polishing, the roughs of 2 other novels need to be finished, and I've started a sf novel rough. If I keep finding more contests and anthologies, I should be plenty busy!

Maybe I should get an early start on some of that, don't you think?

Defragging a Story

Have you ever had your computer defrag its files?

I've done it many times. I used to get a kick out of watching little squares disappear from one place on the grid and reappear in a different place, but the defragging  program no longer has that entertainment possibility. But I digress...

On Tuesdays, I post a new scene from 'Mac', a story I've been working on for - oh - about 35 years. Back then, I didn't have a computer. Heck, I didn't even have a typewriter. I wrote my stories in longhand, probably with a pencil, on anything resembling paper; scratch pads, used paper, partially used notebooks, paper grocery sacks, even unused tissues (although those required I use a pen).

When I did get a typewriter, parts of this story got typed up. When I got a computer, parts of this story got typed into that. Over the years, I've had several computers, and almost all of them had some Mac scenes as files.

At one point, I had the foresight to print out what Mac scenes I had in that computer, and boy, am I happy now that I did that. But I'm getting ahead of myself...

Technology changes, and when you use a computer until it just won't go anymore, you don't always get to save what you absolutely want from the hard drive. How many times have I had to rewrite important Mac scenes because I couldn't retrieve them? I forget...

I thought I was really being smart about 2 computers ago, when I started saving Mac scenes on external drives. When I had to replace that computer, I made sure the one I got could still read those external files. But when I replaced THAT computer last year, it just wasn't possible to get a slot that would read 3 1/4 inch floppies anymore. So all those dozens of disks holding Mac scenes (and many other stories I've worked on) got thrown out when I was cleaning up from moving my office.

But something else happened when I was cleaning up from that move. I kept finding hand-written versions of Mac scenes; a couple scenes in this notebook, half a scene on a scratch pad, a scene in a steno pad... Lots of scenes, with no clue whether they were included in what I had printed out or not. I already have a 2-inch stack of these bits and pieces to go through, and I've still got a couple boxes of old papers and notebooks to clean out.

So now, I get to defrag this story. I get to type all these scenes into my computer, and then try to arrange the scenes in their correct sequence. That should keep me busy for a while!

The Proper Tool for the Job

My old computer was so ancient, I joked that every time I turned it on, I could hear the squirrel climb into the wheel to supply the power. I'm not sure how I got any work done, with all the squeaking that thing made. And every time I asked it to save or download or even refresh produced a chance to nap, the computer worked at such a snail's pace.

At long last, I got a new computer this weekend. Of course, being new, it came with Windows 8. I now have to learn how to navigate my way around, something I need to do every time I get a new computer, seems like.

It's important to have the proper tool for whatever job you are doing. A painter needs paint and brushes, a writer needs words and the proper receptacle for them. You don't wash dishes by throwing them in the oven.

One can 'make do' when one has to. In one of my stories, I have a man trying to identify something he finds in an exhaust tube of his spaceship. His first inclination is to simply reach in to scoop some up with his finger. Fortunately, he can't quite reach it, because his next thought is that he doesn't know how it might react to the fabric of his glove. That same thought makes him unwilling to subject any of his wrenches or other tools to contact with the unknown substance. When his (several times) Great-Grandmother shakes a bent knitting needle in his face, complaining about 'defective equipment', he uses that knitting needle to scoop up a tiny bit of the gunk so that he can analyze it.

Before I had a computer to work with, I wrote my stories in longhand. I didn't much care what type of paper I wrote on; notebook paper, typing paper, paper sacks, paper towels, napkins, kleenex and yes, even toilet paper. It can be done.

But it works so much better when you have the proper tools. And hopefully, as soon as I can find my way around these confusing tiles and suddenly appearing menus, I can pick up my pace with my writing.

What a Character

There was a point in my life when I read a lot of westerns. I read so many, I began to recognize authors I liked. And then I realized I had read a number of books by one particular author who had only one main character.

Each protagonist had his own name, and the details of his existence differed (slightly) from all the other protagonists, but as far as the character of all these characters, they were the same person; taciturn, gentle, logical, intelligent, even-handed, knowledgeable, frugal, probably secretly rich, and when push came to shove, the best tracker, the best horseman, the best and fastest shot in the west. Reading about such a ‘superman’ once or twice is kind of fun. But I can’t relate to a superman protagonist, can you? I don’t want them as a solid diet; I’d rather read about people who are more like me – complex and not perfect.

I try to keep this in mind when I’m working with my characters. Luckily, all my characters have different life histories, different things they want to accomplish, different problems to overcome. I even go so far as to figure out what their birth order was. I am well aware that a youngest child and only daughter will act differently than the eldest adopted daughter or the middle, unusual daughter who didn’t fit in.

I have a lot of characters living in my mind. They move in before I start writing about them, tell me their story as I write it down, and then stick around, occasionally whispering a tidbit they ’forgot’ to tell me before. You’d think my mind would be housing a huge fight, it’s so crowded, or else a big party. Well, okay, each has happened, upon occasion. But one thing I haven’t been able to avoid is that all these characters have a little bit of me in them, so most of the time, they quietly get along.

To Format or Not?

There are basic formatting ‘rules’ for manuscripts that please almost all editors and publishers. When I first started writing, in the fourth grade, I paid no attention to them. I was a kid, writing for my own enjoyment.

Through the decades, as I thought about sending my work out, I learned those formatting rules. They’re not difficult to employ; 1 inch margins, double-spaced, 12-pt Times New Roman, with contact information in the top left corner of page 1.

I don’t start a project with those parameters. Rough draft requires imagination, which doesn’t like to be tethered. So my initial drafts have tiny margins, 20 pt font (whichever one I feel like using) in a different pale color for each day’s work, single spaced. To me, that lets the rough draft appear ethereal, not quite set firmly and easily changed.

As I go through 3 rewrites and a polish, the margins get wider, the font gets smaller, a different type & color. When I’ve got most of the knots out of the story, my contact information is put in place, and by the end of the polish, the project is in ‘standard manuscript format’. I can send the project out to find a new home knowing that it will be judged on its merits, not on my inability to follow these standard rules.

Over the years, I’ve wondered why so many market guidelines insist so vehemently that these rules be followed, to the point of spelling them out in their guidelines, possibly several times. Now that Tommee and I have opened our slush pile, I begin to understand.

Our guidelines are minimal; all we list is ‘standard manuscript format’ sent in a .doc or .rtf file. Although we want to find new authors, we thought they would know what we meant, if they had any real interest in becoming published authors. Perhaps we were giving them more credit than they deserved. Some of them, anyway.

The 3^rd or 4^th submission came as a docx file, which meant we had to dig out the laptop to open it. (We normally only use the laptop when we are traveling, because we don’t like the keyboard.) We let that slide, and gave the submission due consideration.

Since then, we’ve had submissions that don’t have any contact information in the file, that are only partially double-spaced, the paragraphs are not consistently indented…. But we want to encourage new authors, so we considered them and included the comments ‘Not in standard format’ and ‘Please include contact information within manuscript file, in case your email gets lost.’ We hope they will learn, otherwise, we are wasting our time making comments.

But some of them are not interested in learning. One responded to our comments, breaking another guideline for new writers; “Do not respond to rejections to argue they made a mistake.” S/he did state that s/he didn’t care a fig about formatting, the fact we responded showed that her/his submitting email had not gotten lost, and that so-and-so liked her/his work.

We are not so-and-so. But we may need to follow the example of so many other publishers and summarily dismiss any submissions that cannot follow our guidelines. We are pondering that idea now.

Stuck in Rewrite

There are several steps to writing, but one of the first steps (not necessarily THE first step) is to scratch out a rough draft. It can be great fun, to let my imaginary imagination wings take flight and show me a new world filled with new people. Occasionally, the rough draft can also be a real headache, as words simply refuse to come to describe what my mind sees, or – even worse – my mind isn’t focused and therefore doesn’t see anything.

But the fun outweighs the headache (or I wouldn’t continue writing). It’s easy to see your progress with a rough draft, because your word count goes UP. Even if you have a bad day, by the end of a week, your word count will most likely be greater than what you started the week with. You feel like you’ve accomplished something.

For me, the 2^nd draft is where I add in every piece of description, explanation, background and all the modifiers I can think of, just to make sure everything is understandable to the reader. My word count can double from rough and 2^nd drafts, so obviously, I’m doing something.

Then come the further rewrites. I generally do a 3^rd and 4^th rewrite, and then a polish. Occasionally, I do a few more rewrites. I have one story in its 9^th or 10^th rewrite, and I’m still not happy with it.

Rewrite is not as much fun as roughing, but it seldom drags badly, either. It’s during these rewrites that I check for redundancies, passive verbs, -ing verbs, adverbs and that my pronouns refer to the correct antecedents. I might lengthen or shorten sentences, rearrange paragraphs. I might delete words, phrases, sentences, or change a 6-word phrase to a 2-word phrase.

It’s harder to keep track of your progress when your word count is going down. If you try to judge your progress by the difference in word count, it might take you days to cut a thousand words. That always made me feel stuck. So I started counting the number of words in the section I rewrote that day. I probably went through a section of 1200 words or more to wind up with 1000 words by the end, but each one of those words were carefully considered, so I have done a bit of work.

As you can see, 1 rough draft needs several rewrites. Most of my time as a writer is spent re-writing. I try to balance this out by working on 3 projects at a time; 1 short story rewrite, 1 novel rewrite, and 1 rough draft. Somehow, this past week, I have found myself doing 3 re-write projects, with no time left in my day for the rough draft. I suppose it was bound to happen, but it still leaves me feeling kind of ‘stuck’. Re-writing doesn’t set my imagination completely free. But it does still use it, so I do get some pleasure from re-writing. And since my short stories generally range around 5000 words, I should soon be done with that project, and can then return to that rough I was working on.

I won’t be ‘stuck’ in re-write much longer.