Author Blogs

The worst part of being an indie author is that you are required to do all of your own marketing and promotion. You always wonder if you are missing something, some way of connecting to your audience. There’s lots of advice out there about having your own blog, so this week, I did some research of what other authors talk about in their blogs.

I was lucky enough to find a list of ‘well-crafted’ author blogs compiled by a well-known site for authors. So I checked out the first dozen or so.

The first thing I noticed was that all of the blogs I was connected to were over a decade old, even though these blogs got points for being ‘frequently updated’. In one or two cases, newer posts were easy to find; but in most of them, I was stuck with the post I landed on, looking for similarities, differences, anything that might tell me what made a successful author’s blog.

Two or three of them were down-right political in nature. I have my political views, of course, but I don’t like cramming my views down other people’s throats, nor do I like having other people’s views crammed down mine. I didn’t spend much time on those sites.

One blog page consisted of boxes with a headline in each box. The headlines did not make much sense to me, perhaps because I wasn’t familiar with that author’s work, and that’s what they pertained to.

One blog page was a guest blog by a friend of the author, who waxed poetic about how much better his life was, now that he had adopted just one of the attitudes suggested is the author’s non-fiction self-help book. Well, that was an interesting possibility... if I wrote non-fiction self-help books.

Several of them talked about their current Work In Progress, which was pretty much what I expected. But even now, I’m not sure how that can be done effectively, given a blog that gets a new post every week, which is the absolute minimum suggested by all the advice given to authors that I’ve seen.

Now, I don’t write 8 hours a day. I am an editor and publisher (and person) as well as an author, and so I spend 8 hours (and more) at my computer, I do not spend 8 hours a days working on my own stories. Not even 8 hours writing, re-writing and editing my own stories. But let’s look at some math:

Suppose an author writes 8,000 words a day ( that’s 1,000 words per hour, and boy, is that fast!) 5 days a week produces 40,000 words. To the best of my knowledge, a typical romance is about 80,000 words, so that’s 2 weeks of work, just for a rough draft. One romance writer complained that she had finished her rough draft, only to have her editor tell her it had problems, problems so bad that she (the author) was going to have to step back and rethink the entire story. And yet, that author still managed to include in her blog post an excerpt from that story.

I’m left wondering, does she include an excerpt with every blog post? Even if all she did was tell her audience about whatever she had written that week, she is basically telling them the story before it ever gets published.

And that’s during the rough draft stage. What does she do during the rewrites? More excerpts? Explanations of what she’s changed?

I don’t really understand, so I guess I’ll have to continue studying blogs by other authors, preferably more than one post by the same author. Do any of you know of an author whose blog you feel would be a good example for me to study?

In the meantime, I’ll return to writing about the science I’ve self-studied.

Dealing With Characters

If you read my other blog (MacOnFireball.blogspot.com), you may have seen my facebook post a couple weeks ago that I couldn’t post that week’s episode because Bugalu was being a jerk, and I had to do a major rewrite. As I did the rewrite, Mac was hostile and everybody started explaining everything! (As you know, Bob, Earth’s moon orbits around Earth, and it takes about 28 days to do it.) The only thing worse than an info dump is a completely unnecessary info dump!

I used to say that I start with a character, and they tell me their story. Well, kinda sorta. Sometimes, I start with a scene (a battleground after the battle) or an experience (being tossed off a cliff like a piece of garbage). Then I start wondering, “Who would be in this situation? How did they get here? Or, if it’s more interesting, what will they do now?”

No matter how tight-lipped a character starts out, by the time I’ve written 3-4 thousand words about him/her, they have layers of likes, dislikes, memories, experiences, hang-ups and maybe even dreams. They are no longer 2-dimensional (an apprentice wizard), they are developing some depth (Her teacher has gotten frail during her apprenticeship, so she feels she should stay and take care of him).

I get to know my characters pretty well. You’d think that would be a good thing, but... it has its drawbacks.

When they start telling me their story, they might not give all the details. We don’t know each other very well, and they don’t think their life is that interesting, usually, so I can’t blame them for editing what they give me. And I don’t usually question much while I’m getting the rough draft down. But when I start going through the next draft, I start asking for details.

“Smitty, I’m not sure I understand. Mac just came on board, and you’re already out of sorts with her. Did she do something to irritate you?”

“She stared at me from the moment her transpod opened!”

That hadn’t been mentioned before. Obviously, that scene needed expanding so the reader would know he was not - normally - an old sour-puss.

“He’s passed over plenty of hopeful subordinates who would say he is.”

“He decided they wouldn’t fit his team. Part of being an officer. Hold your peace, Drake. She’s talking to Smitty.”

Okay. Maybe I should say here that I’ve been working on Mac’s adventures on the Fireball for about 40 years. That’s a long time to have the same people living in your head. Yes, we’ve taken breaks - some of them pretty long - and they’ve had to share my head with plenty of other characters during those decades. But I think it’s safe to say that I REALLY know Mac, and the rest of the crew.

How well do you know your siblings or spouse? If you’re having a bad day, do they know it? Or do you still hide that away?

When I confronted Bugalu about being a jerk in the soon-to-be-posted episode, he responded with, “I was trying to make Mac get her temper under control. It’s not like I haven’t talked to her about that before.”

Sure enough, Mac was verging on a rampage, until Bugalu had shocked her by being a jerk. I put on my ‘director’/counselor hats, and we worked to get their moods more... settled in the story.

Oh, and the un-necessary explaining? It happens from time to time, mostly in a rough draft. I just pull my editor hat on tight and remove the unnecessary bits. In this case, 2 pages of ‘splainin’ became 6 lines. 5.5 lines. Somewhere in there.

I don’t want my characters to edit their story. That’s part of my job.

Fighting between characters? Maybe, because siblings fight. Spouses fight. After 40 years, you have to expect an occasional disagreement. But if it becomes part of the story, it needs a reason. Something other than, “I was having a bad day.”

Swords - Fantasy or Fact?

A Guest Entry by Ta’Yant bilora vi Grrrck (of Floya 4 - There are other Ta’Yant bilora vi Grrrcks, but they aren’t from Floya 4!)

A common occurrence in the genre ‘high fantasy’ or ‘epic fantasy’ is the use of swords, some of which had or are said to have had magical powers. Since many of these stories appear to be set on Old Earth and include other items that also appear in ancient Earth myths and legends - such as elves, dwarves, dragons, magic and the like, I decided to search the ancient texts from the Home Planet to determine how much of the legend of ‘swords’ might be purely imaginary.

First, let me say that it is very difficult to discern whether a particular text is truly factual. So many texts either gave no references or referred to texts that are no longer part of what records we still have, so cannot be verified. Since the chances of finding additional texts seems impossible, with Earth (and indeed, that entire system) in their current inhospitable state, I can only present what I found as a series of supposed truths, with the understanding that it might be completely contaminated with ‘facts’ that are nothing more than ‘beliefs’ of the time.

One source text came to be a wealth of knowledge to me, or would have, if the links to its sources had been intact, or if I had been able to verify anything it said from some other source. Even the title of this reference text was incomplete, consisting of “...ikipedia.org/wiki/Spath...”. Ancient historians (meaning those who study ancient history, who or may or may not be ancient in their own right) believe this title places it in the ‘wikipedia’ reference source of the 22nd century, which is either famous for being so large and all-inclusive, or infamous for having no basis in fact, depending on which historian is speaking. This article stated that a spatha was a long, straight sword, originally used by the ‘germanic’ people against the ‘romans’, who started with swords that were shorter. The ‘romans’, however, adopted the longer version so that they could stab opponents from a longer distance.

So, if this information is correct, swords were real, and came in different lengths. In my efforts to double-check everything, I could not find ‘germanic’ or ‘romans’ on any maps within the available wikipedia texts. I did find a map (circa 2100) that showed an area called Germany, and somewhat south of that, a city called Rome. If these are the areas of the peoples referenced, further study of even more texts indicate that Germany was a source of many huge wars involving the entire planet, and that the highly religious Rome people were led by a Grand Priest, alternately referred to as ‘The Pope’ and ‘Ceasar’. I personally have trouble with the thought of a ‘deeply religious’ people who carried and used weapons, but I am not versed in all types of religion. Perhaps their religion called on them to dominate others. In that case, I can not be surprised that they eventually came to blows with the war-faring germanics.

I ran across 2 ‘news articles’ from 2015 and 2016. As ‘news stories’, they had no links to any reference materials, but I include them here because I found them so interesting. In 2015, a ‘hiker’(?) found an ‘ancient viking’ sword on the side of the road in Norway, and a specialist from a local museum (?) stated the sword was from 750 AD, approximately 1200 years before it was found. (I can’t make any sense of their calendar! I thought these dates were in the same calendar era, but 750 plus 1200 equals 1950, not 2015!) The specialist went on to say that if given a new handle, the sword could be used ‘today’ (meaning 2015). 

In 2016, a local ‘couple’ found an ‘amazingly preserved’ sword in a ‘field’ near their home in Denmark. This sword, a museum representative stated, was 3,000 years old. Apparently, swords were in use for more than 3000 years, since one of these was that old, and the other only needed some minor repairs before it could be used again! And yes, Norway and Denmark were both on that map, Norway north of Denmark, with a strip of water between them. But research indicated that Norway was colonized by Denmark, so why would they be at war with each other?

My head is spinning, just trying to keep all these ‘facts’ straight and get them presented in a logical sequence. And I’ve just barely begun telling you all that I found in those old replicas! My time for this entry is up, but as soon as I can pick up two thoughts and put them together, I’ll see about writing another entry.

https://en.wikipedia.org/wiki/Spatha

http://www.dailymail.co.uk/sciencetech/article-3284415/1-200-year-old-Viking-sword-lying-road-Norway-s-good-condition-used-today.html

archaeologynewsnetwork.blogspot.com/2016/09/3000-year-old-sword-found-in-denmark.html#fykqDcC4bOGEvIbd.97

World Con 2016

Today was the first day of World (SF) Con 2016. The World con moves around from year to year. This year, it’s being held in Kansas City and is called MidAmeriCon 2. (Kansas City held its first World Con – MidAmeriCon – back in the ‘70s.)

The cheapest time to buy a membership is right after the vote that determines where the World con will be held TWO years from now. The votes happen at World con, so the members of this year’s convention get to decide what city will host the convention in 2 years. Of course, their choices are limited to those cities who have figured out how and where they would have the convention.

Worldcon 2017 will be in Helsinki. We didn’t buy memberships to that one, because we seldom follow the con outside the US. When the worldcon is held somewhere other than North America, there is a North AmeriCon held that year. That location for 2017 will be chosen at this worldcon. We might go to that, depending where it is. The choices are San Jose and New Orleans.

World cons last for 5 days. They used to be held over Labor Day weekend, but that made it difficult for parents to attend, because the school year was just beginning. So they have migrated to mid-August. North Americons are typically 4 days long.

Worldcons generally have a few thousand people. When they are held in large cities – like LA – they might have 8,000 attendees. So much larger than the 200 attendees at the first, held in New York in 1939.

Other conventions are larger; Dragoncon in Atlanta, Nebcon in Omaha are just 2. But worldcons are big enough to be daunting, especially to shy or introverted people. The dealer’s room is large, the art show amazing, the costume contest can be over the top. And the panels! LOTS of panels, on all sorts of subjects. As usual, I find 2-3 panels I want to attend, all at the same time, and probably at opposite ends of the convention center. It can be tough to choose which one I will actually go to.

Sooner or later, we run across friends at worldcon. Some are people we know from smaller conventions. Others we only run across at worldcon (or North AmeriCon). In either case, we take some time to chat and catch up.

If you’ve never been to a worldcon, a description really can’t do them justice. I suggest you save up your money - tickets can be $250 for 5 days at the door, and the surrounding hotels are high-end brands. If the WorldCon is close enough for you to drive, you could save some money finding a cheaper hotel further away. But you will have to pay to park somewhere near the convention each day. And don’t forget to have money on hand for food; WorldCons provide snacks (chips, veggies, crackers) and soda at certain times of the day, but not anything that could be considered ‘real food.’

Despite the expense, they can be fun and informative. However, they are not a comicon, an anime con, or a media con. They are a literary convention. They are aimed mostly at science fiction & fantasy readers. When we walked through the dealer’s room today, we saw 4-5 tables selling t-shirts, and at least twice that many selling books.

So if you don’t read, this probably isn’t the convention for you.

How Many Hats?

Long, long ago - they tell me - all an author needed to do was write. And maybe go on a speaking tour from time to time.

Now, an author wears many hats. How many hats can one person balance on their head before their neck snaps?

First, there's the Writing Hat. You have to get that rough draft done, or your writing career will go nowhere.

At some point, you will probably need the Research Hat, even if you write fiction. If your story involves some military, how is it organized? What ranks does it have? If it's science fiction involving humans, you might research militaries throughout history, and extrapolate from what you've learned. If you're writing a fantasy about dwarves, you might study the tales about dwarves, and try to figure out how they might organize an army. (Hint: A dwarf army is not likely to have cavalry. At least, not a cavalry on something as big as a horse.)

Next comes the Self-Critiquing Hat. You go through your rough draft and make it better by smoothing out rough spots and inconsistencies, adding description and explanation where it's needed, making sure you've said what you intended to say. Actually, you wear this hat more than you wear the Writing Hat.

Next comes the Listening Hat. You ask for feedback on what you've written, and you listen to what they say. Maybe your hero's eyes changed color mid-book, or you use the same phrase over and over, or 3 out of 4 readers didn't understand the first half of chapter eleven.

Back to the Self-Critiquing Hat as you go through your manuscript, considering the feedback, whether or not to change anything, and if so, what's the best way to do that?

Many authors are opting to self publish, these days. Once they've gotten their manuscript as good as they think they can get it, they probably hire an editor, maybe a copy editor, possibly a proofreader, and some will even hire someone to format the manuscript into e-book and print templates.

Or maybe they don't. In which case, those are all hats they should make sure fit their head; the Editor Hat, the Copy Editor Hat, the Proofreader Hat, and the Formatting Hat.

If they are making print copies, they must wear a Deciding Hat (What company will I hire to print this? Where do I get cover art, and who can do the cover layout?), the Receipts Payable Hat (How did the final printing bill get 30% higher than the quote they gave me?), and the Signing Hat (I only ordered *** copies, so why are there so many big, heavy boxes on my doorstep?).

Think they're done? Oh, no, not yet. This part is for all authors, even those with a publishing company, whatever that company's size. Very few authors don't have to wear the following hats:

The Marketing Hat (How do I let people know about my book?) often leads to The Social Media Hat (How many times can I announce something about my book on fb, twitter, linkedin, goodreads...?), the Webmaster Hat (How do I get this shopping cart to work?), the Personal Appearance Organizing Hat (Did that bookstore ever respond about the reading I wanted to do?), the Merchant Hat (Step right up! Get your brand new red hot sf book by that upcoming new author, me!), which, of course, leads to the dreaded Bookkeeper Hat (I gave away 5 books. There's no money involved, so how do I put those in the bookkeeping records?).

I will be wearing the Merchant Hat this weekend. I have rented a table in the Dealer's Room at a Dr Who convention in Wichita KS. Tomorrow, I will be madly trying to wear both the Publicity Hat and the Organizing Hat as I try to design some way to 'decorate' that table and decide how many copies of each book to take with me. A full box of John's book, because, you know, I still have 6 full boxes to sell, 15 of my first book, 12 of the anthology I'm in (plus 6 of the companion volume for that anthology), and 12 of my latest book. Wait, will all those fit in the car with John's suitcase, my suitcase, the costume suitcase and my full make-up case?

Too many hats!

What If?

Last weekend, I attended Demicon, a science fiction convention held in Des Moines, IA. While there, I gave 5 panels and 1 reading. So far, readings have not brought me loads of fans, but I don’t think I’ve ever given a reading where nobody has shown up, so those who do come get a taste of my writing style.

The panels were better attended. As I explained to the audiences as each panel broke up, I generally like to introduce a subject, and let the ‘talk’ turn into a discussion. In that case, the audience members might participate as much - or more! - than I do, although I will attempt to guide the conversation from time to time. I really like that formula, because being an introvert, I tend to sit at my computer for long periods of time, and that can lead to thinking in a circle... no new ideas. But when I get other people lending their thoughts and knowledge to a conversation, I wind up with a whole batch of new (to me) ‘what if’s to ponder.

One of these discussions was on planet building. This subject is not just for science fiction; I have one fantasy universe set on a world with 3 moons. But we tended to compare our ideas to situations we’ve heard about within our own solar system, and when the talk moved to dwarf planets, I mentioned that one of the dwarves living out beyond Pluto is not spherical, as the definition states, because it spins so fast, it has flattened itself. That brought up the question, what if you had an actual planet, roughly the mass of Earth, but also spinning so fast that it is flattened quite a bit. Would the gravity be different at the equator than the poles? What an interesting idea! Of course, nobody had an answer for that.

The side subject of moons - If you don’t have a relatively large moon, you probably won’t have tides in your oceans - brought the question, if your planet had rings like Saturn, would they exert enough gravimetric pull to effect your tides? Another stumper! If I had been giving out prizes...

These particular questions both came from James C Hines, who poked his head in the door half-way through this panel. I invited him to join us, without realizing who he was. He looked familiar, but I couldn’t put a name to the face until the talk was breaking up. Thank you, James. I now have specific questions to pose to my brother-in-law, the astrophysicist.

Every sf writer should have access to an astrophysicist.

Strangers vs Relatives

I do free-lance editing, and there are differences between editing the work of a stranger and editing the work of a relative, like a spouse.

Some things stay the same; I am always careful not to make changes just to suit my style. I haven’t written this manuscript; it belongs to somebody else. But I don’t have problems taking out unnecessary commas, or putting one in where it is needed; of keeping verb tense consistent; of changing ‘shuttered’ to ‘shuddered’ when a character is cold - of making sure they really are saying what they intended to say.

When I edit, I try to give some guidelines to help them improve as a writer, so I won’t have to work so hard with their next manuscript. If I want them to change a sentence, paragraph, or scene, I explain why, and give at least one example of how (I think) it could be improved.

Strangers, so far, have been pretty easy to convince. Relatives... not so much.

There have been other challenges when editing for a relative that - so far - have not happened with a stranger. Like the time I was editing a 400+ page manuscript, and asked my relative to clarify/change a paragraph on page 151. He had already changed that paragraph and had apparently given me the wrong version of his manuscript. I had to start over.

Another time, I explained to a relative that when a planet’s moon is in the ‘new’ phase, it is (relatively) between the sun and planet, and so would not be in the sky at 1 AM, the middle of the night. I don’t think he believed me.

The difference might be a matter of perception. To the author who doesn’t know me, I am an editor, one who respects him/her as an author, and they listen and return that respect, especially if they are fairly new. To the relative, I am a sister, cousin, parent, daughter, or even a spouse. Yes, I’m intelligent, but they are, too, and while they love me, they don’t necessarily view me as knowing what I’m talking about.

Despite the challenges of editing the work of either a stranger or a relative, I would rather do that than edit my own work! Because in that case, I turn into an idiotic despot... on both sides.

Textbook Cases

No researched science today. I feel lucky to be out of bed; I don’t have the energy to research, so this post is based on experience and observations.

Colds last 7 to 10 days. Children get ear infections, not adults. That may be what the ‘textbooks’ say, but it’s not written in stone.

In November, I thought I had an ear infection. Since the age of 30, I’ve come down with them occasionally. What I actually had was a sinus infection. Somebody in our household develops one every year, seems like. Doc gave me antibiotics for 7 days and sent me home. I dutifully took the pills and eventually felt better. But not well.

In December, I went back, saying, “Something’s still not right.” Sure enough, I had a sinus infection. The same infection? Could be. So I got antibiotic#2 for 10 days.

10 days later, as I took the last of those antibiotics, I noticed my throat was scratchy. What the-? How can I come down with anything when I’m on antibiotics? Of course, antibiotics work on bacterial infections, not viruses, so I figured I had caught a cold.

Colds last 7 to 10 days. So I tried to be patient.

Eventually, “This is day 11 of the cold I came down with the last day of those antibiotics,” I told Doc with a bass gravelly voice. Guess what! Yep. Sinus infection. The same one? Who knows. So he pulled out the Big Guns, antibiotic#3, for 10 days.

I went home and climbed into bed for 6 days. Oh, I did get up - it’s hard to push fluids when you’re sleeping - but never for long, and when I was up, I didn’t have any energy.

Supposedly, antibiotics help you feel better after 48 hours. Not this time. On day 5, my throat was not as sore, and today, I have not needed a nap. But I only have 3 pills left.

Monday, I’ll see Doc again.

I used to worry when I made a character sick that I wasn’t ‘following the rules’ for that illness. But obviously, from this winter alone, illness doesn’t always ‘follow the rules’. And when I write science fiction - or fantasy, for that matter - I can make up an illness, and define its ‘rules’ myself.

If I have a spaceship of 500 people in quarantine because somebody came down with Martian Measles, some of the crew will catch it right away, others will take longer to show any symptoms. Some might take a few days to get over it; others might take weeks. Certain crew members had it as a child, and won’t catch it at all. A few others have had Martian Mumps, which is sort of related, so they probably won’t catch Martian Measles.

I can do that. I’m the author.

My Ideas

“Where do you get your ideas?” is a common question asked of writers, especially fiction writers. Have I written about this before? Ehh, probably doesn’t matter, because I get them from various and sundry places.

If left to my own devices, I tend to write about women who don’t quite fit in. Sometimes it’s an entire society of women who don’t fit in with the surrounding cultures (Atlans, Tay of Tunad). At other times, it’s one woman who doesn’t fit in with those around her (Mac, Cali, Kandaranna, Tay of Tunad). They manage to make a place for themselves without losing themselves in the process.

I’ve been writing these types of stories since at least the fourth grade. Probably because I was always a shy introvert of a kid who didn’t feel like she fit in. It didn’t help that my family moved around quite a bit, always looking for grass that was a little greener. Our shortest stint in one place was 6 weeks in Brush CO when I was in the 2nd grade, followed by our longest stint, 8 years in Limon CO (except for 3 months when we tried out Cheyenne WY). You’d think after 8 years, I would have felt accepted, but... not entirely.

The other interesting fact I’ve noticed about my stories about these women is that they are rarely written from that woman’s point of view. There are various reasons I’ve given myself for this curiosity, but I’m beginning to think that, deep down inside, I realize that if the reader gets to see this character from inside her own head, it would be easier to identify with the character, and that kind of negates the ‘don’t fit in’ aspect.

Other of my stories have different sources. Maybe I read a story by somebody else, and I decide it would have been more interesting to change the characters a bit, modify the location, twist the plot... An interesting dream that I half remember might inspire me, although by the time I get something on paper, it will bear little or no resemblance to that dream. A call for anthology submissions can be interesting to consider. In that case, I take the bare bones of what they are looking for and try to twist it around and push it out of shape to come up with something other writers won’t come up with.

There are lots of places my stories come from. I just have to pause and let them come.

Non Fiction Writing

I keep getting told that I need to write non-fiction. “Write some articles for all those magazines out there; women’s mags, fitness mags, finance mags- it doesn’t matter what kind,” the advice goes. “Get your name out there in those formats, and you’ll develop a group of readers who will follow you when you delve into fiction.”

Excuse me? Yes, I know that’s how countless authors have done it, but what makes these people think that I have anything to offer the readers of magazines?

Women’s mags? Please. I don’t read them. If I’m stuck in a waiting room, I might flip through one, looking at the pictures of uncluttered, clean homes that bear absolutely no relationship to my home, but I have no interest in whatever articles they print, so how am I supposed to write some?

Fitness mags? Yeah, there’d be nothing hypocritical about that. Yes, I have lost 40 pounds so far this year, but that still leaves me on the wrong side of 200, with a long way to go. I’m not even sure how I’ve managed it, so I can’t write any “How I Lost...” articles.

Finance mags? When we got married, we were comfortably located in ‘Middle Class’, but we have definitely fallen to the bottom rung and are trying NOT to make that magical leap into ‘Poor’.

Actually, I have written non-fiction, as part of my job before I retired. I wrote things like instructional newsletters on how to correctly fill out the new internal forms so that the full and correct data could be input into the database; how to use this new-fangled contraption to repair film; step-by-step instructions on how to do the various parts of my job, which got disbursed to the rest of the clerical staff when I went on maternity leave or recovered from surgery. I did not find these subjects very interesting, but at least I knew the topic. I knew where to start, what had to be included, and where I could end.

Even these days, I am writing non-fiction. When I contacted local conventions about doing panels, I offered as many as 4 topics I thought interesting and not already beat into the ground by other panels. All four topics, it turned out, were snapped up. Most of these ideas were inspired by an article I had read on that subject, so now I’ve been gathering more background, trying to break each topic into smaller bits, and organizing those bits into a logical page for an informational hand-out. I don’t expect these to land in any newsletters or magazines, but it is non-fiction. Most of them

Still, I feel like I’m writing 4 different term papers at the same time. I will no doubt tweak these between conventions, but I’d really rather be writing fiction! In fiction, I have my whole imagination at my disposal, and I don’t have to stick to the ‘facts’ if I don’t want to!

What magazines do you read? Would you be willing to write an article for them?