What Takes so Long?

What takes so long from an editor accepting a manuscript for publication and the book appearing in book stores? The process can take months or even years with a ‘Big Boy’ publisher.

Yet, there are exceptions: Books about some political scandal can appear days after the scandal comes to light; Biographies of a celebrity can be bought within a week of their death. So it can be done faster. Why isn’t it?

Small press and self-publishing don’t take that much time. How do they do it?

Editing. Every manuscript needs an editor. It may be the rare exception that only needs one comma added and one numeral (like 9) spelled out (into nine), but no publisher knows that until an edit is done. With the Big Boys, sometimes the editor who decides which manuscript to purchase is also expected to edit those manuscripts. Obviously, an established author’s manuscript will be edited before those by new authors. Small presses don’t publish as many books, and often use free lance editors, who fit their assignment into their schedule in order to meet their deadline. In my case, I ask for a month (and occasionally wish I had two).

Cover Art. This is, apparently, the next step for the Big Boys, because nothing else can happen without the pretty picture for the front. Of course this takes time, from concept through several renditions until it is ‘just right’. And then, it’s sent to somebody else to put the type (title, author, etc.) on it, and that may take several attempts before it is deemed ‘acceptable’. Remember, the Big Boys have many of these being done at the same time. Small presses, again, may work with free lance artists, who may even put the type on. Or they might use a stock photo, which takes even less time.

Reviews. I never paid attention to these myself, so I was surprised at how much emphasis is placed on getting them. In the past, reviewers expected to receive a printed book, complete with cover art, that they could read. This would be months before the book was officially published. Some still want it done this way, but others accept e-files of the book. Some small presses don’t get reviews early enough to quote them on the back of the book, so that cuts some time off the process.

Sales Materials. This seems to be a long, drawn-out ordeal for the Big Boys. Each book must get added to their catalog, the sales teams must be trained in how to best pitch it to the book stores... Many small presses don’t pitch to book stores, because the book stores won’t carry them. Therefore, their efforts for one book are simply added to the marketing of all the others they have available. Add it to their catalog and website, mention it in the newsletter and their social media comments. They might create fliers to send to gatherings of likely readers.

A typical Big Boy book stays on the shelf about 6 weeks. A small press may never ‘discontinue’ a book.

Is being published by a Big Boy worth wasting all that time? What do you think?

2014 Successes

Okay, here it is; that dreaded ‘Buy my book’ issue I warned you would happen.

Hubby hates when all the authors make a wall of books between them and the audience at science fiction convention panels. He sees it as a crass commercial. But these days, almost all marketing is left for the author to do; very little is done by the publisher, and that includes the ‘Big Boys’. Most authors - especially new ones - do not have lots of money for marketing, so they take every chance they can to let people know about their book. If you don’t know it exists, how can you buy it?

I made 3 sales in 2014. (So this won’t be that long.)

The Secret in Morris Valley - A paranormal gothic romance novella published by Alban Lake (albanlake.com). It is a trade paperback selling for $6.00. If you are in Omaha and want to see a copy, the Book Worm, currently on 90th Street just north of W Center Rd, has a few copies through the holidays. They only took 3, so I can’t guarantee they still have any. [Note: Since this a romance, I used my pen name, Linda Joy.]

Ondrea is sent by her favorite professor to gather information on the wolves in Morris Valley. But Barry Morris, her host, won’t allow her to do field work on the wolves, saying it’s too dangerous to go out without a well-armed pack of men and vicious dogs. Barry has plans for Ondrea. So do the wolves.

“Truck Driving Women” - This the first published story of Vamps and Cheyenne. It is in the middle of an anthology published by Sky Warrior Books (skywarriorbooks.com) called These Vampires Don’t Sparkle. You can get a paper copy from Amazon for $13.33, an e-book is $4.99. If you really like vampire stories, there is a second volume of this anthology called These Vampires Still Don’t Sparkle that is available as an e-book. No, I don’t have a story in Vol. 2, just letting you know about it.

When terrorists hijack Vamps and Cheyenne, they bite off more than they anticipated.

Cali: A Journey of Discovery - This is a lightly romantic fantasy novel that Alban Lake (albanlake.com) accepted and originally planned to publish in 2014, but its publication has been pushed to February 2015. It will be a trade paperback and e-book. I don’t have any more details, but if you’re interested, keep an eye on the left side bar of this blog; that’s where I’ll post more information when I have it.

Witches don’t drown when they have a thirst for revenge. Sidek had seen a lot of strange cultures, but when he rescued Cali from a flooding river, he made contact with the strangest one yet. Cali was an Atlan, hunting men who had tortured & killed 2 children. She didn’t need a man’s help. But she wasn’t well enough to keep Sidek from tagging along.

Okay, it’s done now, you can breathe again. We now return you to your regularly-scheduled blog. Eh. Not exactly, because this turned out to take up all of this week’s space. Soooooo... Tune in again next week!

PS. If you want to keep up to date on my sales and appearances, consider subscribing to the free monthly MoonPhaze Publishing e-newsletter. Just send a request to be enrolled at MoonPhazePub@hotmail.com, and we’ll send you a sample copy. You can always unsubscribe at any time.

Monopoly Money

Once upon a time, there was a young man who wanted to sell books. He created a website and negotiated deals with the big publishers to put their books in his warehouse. It took him a few years, but he built up his business to the point where he was the first place people thought of going when they wanted a book.

Meanwhile, more than one national chain of book stores went out of business.

At some point, this young man realized changes had occurred in the book market. People also bought electronic books. The big publishers were resisting going electronic, considering it a fad, but lots of small publishing companies had sprung up. Some authors were their own publishers. These small companies and individuals not only embraced e-publishing, they were also able to create paper books by using POD printing.

The young man thought, “People are spending money on e-books and POD books. If individual authors can set these things up, then I can, too.” So he became not only a book seller, but a not-so-small publisher of e-books and POD books. His company grew even bigger.

The big publishers finally, reluctantly produced e-books, but they charged virtually the same amount for the ebook version as they did for the paper version, despite the much lower cost of production. When the young man saw that, he demanded that they lower their e-book prices. Or else! Some did, but one did not, and he punished them terribly, by not selling pre-orders for them, and by letting their orders languish for weeks before they were sent out to the customers.

Some authors and small presses thought, “I’m all for lower prices on e-books, but this guy is throwing his weight around.”

One day, the young man thought; Since he had the capabilities to POD print, a warehouse, and people to mail books to customers, it only made sense that he do all the POD printing. He ‘negotiated’ with the various POD companies, making arrangements for them to ship their printing jobs to him (and pay him) to print.

Upon hearing of this, some who had been ready to use his POD/e-book services thought, “Whoa! Now he’s trying to put POD companies out of business? He wants exclusive rights to sell your e-book for at least 3 months? This guy is not only a bully, he wants a monopoly!”

In a round-about way, I’m trying to explain the reason why I (and MoonPhaze Publishing) will not be working with Amazon. Even though not being listed on their site is likely to make it harder to sell our own books, we cannot condone their practices.

Since we don’t know which POD publishers are still independent, or how long they can hold out, we’ll have to have a number of books printed and store those we haven’t yet sold. And we need to get a move on, because we have a book due out in January.

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Non Fiction Writing

I keep getting told that I need to write non-fiction. “Write some articles for all those magazines out there; women’s mags, fitness mags, finance mags- it doesn’t matter what kind,” the advice goes. “Get your name out there in those formats, and you’ll develop a group of readers who will follow you when you delve into fiction.”

Excuse me? Yes, I know that’s how countless authors have done it, but what makes these people think that I have anything to offer the readers of magazines?

Women’s mags? Please. I don’t read them. If I’m stuck in a waiting room, I might flip through one, looking at the pictures of uncluttered, clean homes that bear absolutely no relationship to my home, but I have no interest in whatever articles they print, so how am I supposed to write some?

Fitness mags? Yeah, there’d be nothing hypocritical about that. Yes, I have lost 40 pounds so far this year, but that still leaves me on the wrong side of 200, with a long way to go. I’m not even sure how I’ve managed it, so I can’t write any “How I Lost...” articles.

Finance mags? When we got married, we were comfortably located in ‘Middle Class’, but we have definitely fallen to the bottom rung and are trying NOT to make that magical leap into ‘Poor’.

Actually, I have written non-fiction, as part of my job before I retired. I wrote things like instructional newsletters on how to correctly fill out the new internal forms so that the full and correct data could be input into the database; how to use this new-fangled contraption to repair film; step-by-step instructions on how to do the various parts of my job, which got disbursed to the rest of the clerical staff when I went on maternity leave or recovered from surgery. I did not find these subjects very interesting, but at least I knew the topic. I knew where to start, what had to be included, and where I could end.

Even these days, I am writing non-fiction. When I contacted local conventions about doing panels, I offered as many as 4 topics I thought interesting and not already beat into the ground by other panels. All four topics, it turned out, were snapped up. Most of these ideas were inspired by an article I had read on that subject, so now I’ve been gathering more background, trying to break each topic into smaller bits, and organizing those bits into a logical page for an informational hand-out. I don’t expect these to land in any newsletters or magazines, but it is non-fiction. Most of them

Still, I feel like I’m writing 4 different term papers at the same time. I will no doubt tweak these between conventions, but I’d really rather be writing fiction! In fiction, I have my whole imagination at my disposal, and I don’t have to stick to the ‘facts’ if I don’t want to!

What magazines do you read? Would you be willing to write an article for them?

Distant Ancestors

In my never-ending quest to get my science knowledge a little more up-to-date (the better to write science fiction), I periodically surf the net in search of interesting but not too complicated science articles. This past week, I ran across quite a few articles about Neanderthals; when they died out, where they died out, why they died out, and so on.

You know about the Neanderthals; big heavy brows, broad flat noses, short chunky bodies. All those characteristics were helpful to them as they lived in Europe during ice age conditions. I don't remember how the heavy brows were helpful, but the noses helped warm the frigid air before it hit their lungs, and their compact bodies conserved body heat.

Up until recently, it was believed that the last of the Neanderthals died out in the area of Spain about 40-42,000 years ago, helped along on the road to extinction by the arrival of 'modern man' into Europe shortly before the demise of the Neanderthals. It wasn't certain that the two groups came into direct conflict and poked holes into one another, but if nothing else, they were both vying for the same food supply, and it was thought Neanderthals just couldn't effectively compete.

According to what I read this week, a new dating technique for old skeletons and other remains has now pushed the demise of the Spanish Neanderthals to around 50,000 years ago. So, were they completely gone before 'modern man' arrived? Probably not. The scientists were going to be conducting more tests on other sites, but it was rather expected that the new dating technique would also push back the date of modern man's arrival into Europe a similar amount of time. So, other than changing the position of a couple dots on a timeline, this didn't really change much.

On the other hand, genetic anthropologists have been analyzing tiny bits of Neanderthal DNA wherever they could find it, and by combining the results of all their work, they figure they've got about 12% of a complete Neanderthal DNA workup.

And it seems Jean Auel was correct when she wrote in Clan of the Cave Bear that Neanderthals and modern man had babies together. Scientists have compared current DNA to Neanderthal DNA and found that modern people have as much as 2% of their DNA from Neanderthals. The amount varies between ethnicities, but it's there.

So... I blame my son's unibrow on Several-times-great-grandfather Oogh, of the German Neanderthals.

Picking Up the Pace

A couple days ago, I was reading the first episode of a new newsletter when the author said some things that really made me stop and think. She was speaking, at first, of a new author who had made a name for himself by publishing something like 20 books in 3 years, plus one or two more he co-wrote with someone. She went on to say he apparently writes 2,000 words an hour, 10 hours a day, 5 days a week. She compared that to the 1,000 words an hour that she writes.

I was stunned.

I'm usually happy if I manage to get 1,000 words written in a DAY.

Well, it seems pretty obvious to me that I am not applying myself hard enough to this endeavor. My days have become chopped up into 15 minute increments as I try to get housework done as well as some writing.

I have spent today (Sunday), trying to figure out how to rearrange my days to let me get more done, and what might be a reasonable goal for any given week. I go through this process once or twice a year, so this is nothing new. Should I write in the morning or early afternoon? I'm not at my best in the mornings, but errands seem to get done in the afternoons. And no matter what time slot I choose for writing, the dog will still want some kind of attention every hour.

I have chosen a goal that will make me pick up the pace, but I think I can do it. Probably not right away, because I'm fighting a sinus infection - again. In a month or, when that goal has become 'normal', I'll set the bar a little higher, make myself kick it up another notch.

But I don't see myself ever writing 10 hours a day. That writer had a tread-mill desk. I have a gym membership, which I try very hard to use 3 times a week. It provides a change of scenery as well as some exercise.

My first goal is to aim for 15,000 words a week, by working 3 hours a day, 5 days out of the week. Wish me luck!

Finding Shiney Bits

I read a lot of newsletters. I mean, a LOT of newsletters. Some are to help me write better, some are about the publishing field in general, some give me lists of potential markets, and some are about marketing.

Unfortunately, when I had my knee replaced this summer, I got behind in that reading. Since then, I have slowly been catching up.

The good thing about being behind is that I can get through them a little faster. Whenever I see a list of classes, I don't check the titles to see if I want to take them, I check the start date. If the classes have already started, I skip the entire list. When I see a contest listed as a potential market, I scan for the deadline. If it's passed, or only a few days in the future, I haven't got a chance of making it, so I skip reading the rules.

The bad thing about being behind is that I miss a lot of opportunities; that class that might have been perfect for me, a contest that was right up my alley. I also feel a bit rushed, because I'm trying to catch up. Is everything I'm reading out of date?

Nope. The information on writing better is still applicable. The insights into the publishing field are still there, can still teach me about How Things Work, rather than me being completely in the dark. These are the Shiney Bits, the reason why I read these newsletters. And I look forward to the day when I catch up and can find even more Shiney Bits in the form of a class to take, a new market to try, a contest I have time to enter.

How about you? Do you find the Shiney Bits in your life before you throw out the dregs you don't want or can't use?

Practice What You Preach

I read a lot of e-newsletters. Some give me tips on how to write better, some give me clues about markets I might submit to, and some try to tell me how to market my work, once it gets published. Most of them I can read fairly quickly. But one of them I read this week... !

I don't remember which newsletter I was reading, possibly one on marketing, because the article seemed to be on what type of website to make announcements, timing and the type of announcement. After almost every website type/announcement type that it listed, the author expanded by saying you should edit, edit, edit everything before you sent it off into the world. The reasoning was that if you make an impression on potential readers with poor grammar, spelling and punctuation, they aren't likely to look up your book and buy a copy.

I have to agree with that sentiment.

A lot of people never learned these things in school well enough to know how to follow the rules, and therefore, they don't think it's really important. Texting, when it required hitting the same button a number of times to get one letter, further eroded people's ability to spell, it seems. But as long as the idea gets across, anything goes these days, right?

No, I can't agree with that sentiment.

I have re-worked and proofread and edited enough to be pretty familiar with most of the rules of the English language. It doesn't bother me to get a text on my phone with 'u' for 'you' and 'ur' for 'your'. I consider that a kind of slang.

But when I'm reading something that purports to be informative and professional, I expect it to be well edited. This particular article in this newsletter was NOT. Here it was, expounding on the idea that everything you put out there should be edited, and the author did not appear to know the difference between [its] and [it's], or where commas belong, or how to spell.

Now I'm left in a dilemma. Do I believe this author was knowledgeable in the field and take the advice offered? Or write the article off as a waste of time because the author couldn't be bothered to take his/her own advice?