1 + 1 =

Last week, I talked about where I get ideas for my stories. I’m continuing that, because I thought I’d walk you through a ‘new’ idea, so you could get a glimpse of ‘my brain at work’.

A few days ago, Hub and I went to the movies. We don’t go often, and when we do, we tend to see 2 movies. This time, we saw “Edge of Tomorrow”, followed by “Maleficent”. Something of a mixed bag.

In “Edge of Tomorrow”, the Earth is invaded by aliens, and the Hero - a military reporter - pisses off a general, then finds himself on the front line with no training. He survives long enough to get the safety off his weapon and kill an alien that kills him. He awakens the previous morning, assigned to the front lines without training. Each time he dies, he returns to the previous day. Just as in “Ground Hog Day”, the Hero must figure out what he needs to do differently to get out of this time loop.

“Maleficent” is the tale of Sleeping Beauty told from the point of view that Maleficent was not evil, just mis-understood; portrayed as evil by humans who related the story after the fact. I have often heard that villains don’t see themselves as evil, so this re-telling did not scar my psyche too badly.

The next morning, I had (some) memories of an interesting dream that involved people, each with some super-human power. There were 2 groups, unable to agree and constantly battling. When they died, they eventually returned to life, but not necessarily on the same side as before.

I took the bones of this dream and added different bits and pieces to see what happened. Reincarnation and exceptional people. Did they remember their previous lives, that they were ‘special’? I decided they did, but not until adulthood, when flashes of memory would start coming to them. They not only might change sides in the Big Argument, whatever it was, they might not have the same power, either.

I chose a protagonist, during a life when he lived a few decades. Now, what kind of setting? Science fiction? That was too broad. Modern paranormal? No, they’d just be another group of comic book characters.

Fantasy post-apocalyptic! In a world where magic and the fey exist, cities and castles were reduced to rubble during the Great War. Generations later, the War Magic is finally beginning to dissipate from these places.

I sketched out the basic story line in half a page of 20-pt font, devoted another page to other background info, like names and special Talents, and started my rough draft. I have 2000 words done, which is not bad for 2 days of stolen moments. I don’t have an outline, because I haven’t answered some important questions. I’m stumbling around, creating background and conflict as I go, which is how I originally wrote (before I figured out what an outline was), and many others do.

And another story is started.

Like I needed another character whispering in my ear, another story to be written! I can hear my characters laughing, and my muse asking, “Who said an author’s life was orderly?”

Good Results; Bad Week

I tried an experiment early last week. I had decided I wanted to up my writing speed to about 1,000 words an hour, but first, I needed to have some idea how fast I currently write. So I got up, had breakfast, set my timer for 3 hours (the amount of time I had decided I could carve out of a day for my writing), and started a new story.

I can't say that I was not interrupted. The dog wanted out, or wanted to play, or the phone rang... each time, I paused the timer to take care of the interruption, and then came back to work as soon as I could. It actually took me almost 4 hours to get 3 hours of writing done.

How did I do? My 3 hours of writing got me 1,800 words of rough draft on a story where I only had a vague idea for the opening scene. It also included some brief research (How are these mythical creatures usually described?), and choosing names for characters. That averages out to 600 words per hour.

I suppose that sounds like I have a long, hard road to travel to get to 1,000 words per hour, but I don't see it like that. I was afraid that this test would have my speed at something like 600 words for the entire 3 hours, but instead, it shows me being a LOT closer to that initial goal I've set for myself. This was good news, indeed!

Unfortunately, after that day, my body started insisting I sleep 10-12 hours a day, and when I did get up, I tended to be dizzy more than not, which makes it hard to function. The ear/nose/throat specialist has put me back on a med I've been on before, but at a higher dosage. I will be on it for at least 6 weeks. I think it's working. Slowly. I haven't been doing much writing, other than that one day when I tested myself, and I hope I can get back to it. Soon!

In the meantime, my 'back burner' has plotted out the rest of that short story, worked out a thorny knot that had me stuck in another story, and started working out possibilities in a story I haven't even started outlining yet.

If I could type as fast as I think, I'd be doing a lot more than 1,000 words an hour!

Real Life

So much for getting myself organized. After recovering from my drive home from Florida, today I heard that my one remaining sister is in the hospital, having suffered a stroke. I haven't been able to complete a blog to post today, so this is a rerun from March 2010.

I keep coming up with ways ‘real life’ can be analogous to writing.  Well, give me a break; real life has conspired to give me a head cold for the trip home, and all my thoughts are sticky with ‘head cold goo’ and won’t move around well.

So, I started out in Florida, where nobody paid attention to the posted speed limit of 70.  The far left lane (of 3) was for those driving at 80+.  Then I got to Georgia, where the Florida Speedway quickly became the Georgia Parking Lot – miles of stop / creep / stop / creep.  I forget how many times it happened, pretty much the entire length of I75 through Georgia, except going through Atlanta.  And seldom, when you finally got to the point where you could speed up, was there any clue for the jam.

Did you know that if you enter Nashville on I24, and want to leave Nashville on I24, there is no lane you can get in and stay in and stay on I24?  I felt like I was playing hop scotch; skip left two lanes for a left exit, skip right one lane for a right exit, skip right another lane for another right exit, then skip left two lanes for a left exit!

Stories are kind of like that, don’t you think?  If there’s nothing getting in the protagonist’s way as you tell the story, the story zips along at 80+ mph and gets done quickly, leaving the reader to wonder what all the fuss was about.  If something does get in the way – whether you call them bumps, problems, challenges, or stalled trucks – the speed of the story will be inconsistent, and the tension will build.  Likewise, if your story line jogs here and there, as your protagonist tries this angle, and then that path, it will help to keep your reader on their toes, wondering which way the story will go next, and will the protagonist actually get where he wants to go?

So, ‘map’ out your story line, and don’t forget to add some difficulties.  Road trips never seem to go as smoothly as we expect they will, do they?  A story that travels a straight line to its obvious conclusion isn’t much of a story.

Practice What You Preach

I read several newsletters and blogs to learn how to write better; how to open a novel and grab the reader, how to involve all the senses, ... that sort of thing. One of the first things I was taught was that your first draft is not your last draft. (Took me a lo-o-ong time to learn that lesson.)

Your first draft is where you get the basic ideas out of your head and onto paper - or computer file, or whatever. Then you spend time going through that project a few times to add descriptions, select a more precise verb, make sure the reader understands what you intended to say.

And then, you polish it.

Remember back in school, when you learned about subjects, verbs, direct objects, punctuation, and all of that? That's the stuff a writer worries about in the final polish. Because as a writer, you want others to see your work in its best condition. If your work is full of misspelled words, incorrect choice of pronouns, and 'sentences' that don't make sense because you forgot your punctuation, the readers won't be able to understand what your are trying to say.

I understand that bloggers and newsletter editors have a limited amount of time, but this is a very important part of writing. Unfortunately, not every writer remembers that before they post their blog or article. And I have found some that I am thinking of not following anymore because I have to work so hard to figure out what they are trying to say. Repeated words. Extra pronouns from when they rewrote the sentence, but didn't get it completely cleaned up. Missing commas that - if they were there - would tell the reader 'I've finished that thought, now I'm moving on.'

It's sad when a group of people manage to forget the lingual necessities that they continually remind each other are so important. I hope I never get that sloppy with my blogs. If you catch me at it, feel free to call me out about it.

Trudy's Universes, Part 4

I’m going to try and wrap up this list this time. We’re getting into Universes that I don’t seem to visit very often.

O is for Orange Witch. Another fantasy universe. The protagonist is a newly-graduated witch who likes to wear orange. I dreamed up this universe more than 3 decades ago, and haven’t done much with it since.

S is for Spooks. This is where I keep any paranormal projects I might be working on. For me, paranormal includes ghosts, witches, vampires, werewolves, zombies and the like. I don’t write horror, so there isn’t much in this universe. And if I start a project here, and it really grabs hold of me, that project tends to emerge and form its own universe.

T is for Tunad. Tunad is a planet that is secretly colonized by females from a sister planet, Danut. The society of Danut is male-centered, and the females are slaves. Some female individuals are taken off-world by enlightened aliens, taught to think for themselves, and to make use of their skills, and eventually, a number of these are deposited on Tunad to form their own colony. I haven’t written in this universe much, but I love playing with the background; the colonists, the layout of the colony…

W&V is for Wolfie & Vamps. Okay, I’ve already listed one universe centered around a werewolf and vampire team, but actually, this werewolf & vampire universe has been around longer than that other one. This team is female, and their history goes a lot further back in history.

X is for X-Files. Loved the TV show, didn’t find the books to have the same impact. I have a couple projects started here, but I’m just not sure I can do justice to this particular genre.

There you go, my universes. I didn’t used to have this many. Some of these are probably on the path to fading out of existence. There’s always the possibility I will add new ones. But that’s my list right now, early in 2013.

More of Trudy's Universes

Last week, I listed 3 of my ‘uiverses’, the ones where I seem to spend most of my time these days. I thought I would introduce more of my universes today, some I hope to explore more fully … ‘someday’. Here are a few more of the ‘universe names’ that occupy my main ‘writing’ file on my computer.

D&D is for – no, not our Saturday night adventures written up as a story. This folder is for stories of a fantasy nature, set in a place that might resemble a D&D land, or a Tolkein-like setting. Probably this will be a home for shorts, because if I write an entire novel using a set of characters, I tend to give those characters their own universe, as shown in the next universe:

FG is for Fantasy Gumshoe. I’m still in the planning stages with this one. I see a world rather similar to Glen Cook’s Garrett series, perhaps with a splash of Jim Butcher’s Dresden for a little different flavor. There are no stories in this folder, yet, just some maps, character thoughts, possible history.

D is for Dohio. The Dohio are similar to the Atlans; a matriarchal society that does not think much of men. The differences are that the Dohio live on Earth after some holocaustic social & technological breakdown, and they do not have the mental abilities or Powers of the Atlans. As the holocaust hovered on the horizon, a collection of men in the Ohio Valley sent their wives and children to live in the caves that riddle the valley, along with all the supplies they could gather, including some livestock. The husbands were supposed to join the families, but they didn’t, and by the time the Dohio dare to venture out of the underground, the world is far different than the legends described.

Well, that’s another 3 of my universes. We aren’t quite half done yet. See you next week!

Stuck in Rewrite

There are several steps to writing, but one of the first steps (not necessarily THE first step) is to scratch out a rough draft. It can be great fun, to let my imaginary imagination wings take flight and show me a new world filled with new people. Occasionally, the rough draft can also be a real headache, as words simply refuse to come to describe what my mind sees, or – even worse – my mind isn’t focused and therefore doesn’t see anything.

But the fun outweighs the headache (or I wouldn’t continue writing). It’s easy to see your progress with a rough draft, because your word count goes UP. Even if you have a bad day, by the end of a week, your word count will most likely be greater than what you started the week with. You feel like you’ve accomplished something.

For me, the 2^nd draft is where I add in every piece of description, explanation, background and all the modifiers I can think of, just to make sure everything is understandable to the reader. My word count can double from rough and 2^nd drafts, so obviously, I’m doing something.

Then come the further rewrites. I generally do a 3^rd and 4^th rewrite, and then a polish. Occasionally, I do a few more rewrites. I have one story in its 9^th or 10^th rewrite, and I’m still not happy with it.

Rewrite is not as much fun as roughing, but it seldom drags badly, either. It’s during these rewrites that I check for redundancies, passive verbs, -ing verbs, adverbs and that my pronouns refer to the correct antecedents. I might lengthen or shorten sentences, rearrange paragraphs. I might delete words, phrases, sentences, or change a 6-word phrase to a 2-word phrase.

It’s harder to keep track of your progress when your word count is going down. If you try to judge your progress by the difference in word count, it might take you days to cut a thousand words. That always made me feel stuck. So I started counting the number of words in the section I rewrote that day. I probably went through a section of 1200 words or more to wind up with 1000 words by the end, but each one of those words were carefully considered, so I have done a bit of work.

As you can see, 1 rough draft needs several rewrites. Most of my time as a writer is spent re-writing. I try to balance this out by working on 3 projects at a time; 1 short story rewrite, 1 novel rewrite, and 1 rough draft. Somehow, this past week, I have found myself doing 3 re-write projects, with no time left in my day for the rough draft. I suppose it was bound to happen, but it still leaves me feeling kind of ‘stuck’. Re-writing doesn’t set my imagination completely free. But it does still use it, so I do get some pleasure from re-writing. And since my short stories generally range around 5000 words, I should soon be done with that project, and can then return to that rough I was working on.

I won’t be ‘stuck’ in re-write much longer.

Necronomicon

This post was actually written on Oct 28, 2012, but I didn't have access to the internet to get it posted.

My husband and I have been exploring some Florida conventions these last few years, and particularly this year. This weekend, we have been at Necronomicon, a 31-year-old sf convention held in Tampa/St Petersburg.

I like this con! Even though there are apparently no ‘big publishers’ in attendance, or even any big book sellers, this con is strongly centered on books. There are a number of small presses and self-published authors here, eager to share whatever knowledge they have gleaned with others. So there are plenty of panels that concentrate on writing, contracts and so on. Even though these panels might be touching on subjects that I may have heard about at many other conventions over the years, I am hearing them discussed by authors I haven’t already heard a dozen times. And publishing is in such flux right now, it is good to get information from as many sources as you can.

Many of the panelists here also have some sort of science background, so there are panels on science subjects also. I have always like science, but I seldom seem to see science panels at the midwest conventions I usually attend. These are not ‘classes’ like one would take in school, but discussions on a specific topic that sometimes wander off topic, sometimes get a bit silly, but they are entertaining and also a call to a person’s curiosity. Certainly they have called to mine.

Now, I don’t mean to imply that this is all that is happening at Necronomicon. Absolutely not. There are several rooms devoted to gaming, both tabletop and computer, a video room, dealer’s room and art show... . A concert on Saturday night preceded the costume call. And the costumes run the gamut from D&D characters to anime, Dr Who, Joker & Harlequin, Poison Ivy, steampunk, space armor, Chathulu - a wonderful pantheon of imagination and craftsmanship!

I’m going to give some serious thought to coming back next year.

Writer's Block

What should I do when I find myself unable to figure out what comes next in a story? How do other writers handle this kind of situation?

1. Some writers figure they’ve taken a wrong turn, and back up a few pages, turn the story in a different direction. 2. Others bang out their word count each day, no matter how bad it is, until some kind of answer comes to them. At that point, they may throw out everything they’ve written since the ‘block’ first occurred, but at least they’ve been working. 3. Still others shove that project into a back corner of their mind and work on something else until their subconscious figures out what went wrong.

I don’t do #2. I don’t like to sit in front of my computer without actually doing something. And sitting here banging out c**p I’m pretty sure I’ll wind up throwing away strikes me as just as big a time-waster. I have done #3 a few times. Some of those projects are still shoved into a back corner, and others have resulted in my doing #1.

But I have a step I do before I do anything else, to see if I really am stuck. I examine the current scene and situation of my characters, not from the point of view of being the author, but from the point of view of the characters involved. What got them to this point? How would they react in this situation?

I look at ‘my’ stories as tales told me by the characters. So if we get to a point that I don’t understand, perhaps I just need more information from those characters. Maybe they’ve been embarrassed to explain themselves more fully and I need to converse with them, understand what they’ve been through. In that case, I may need to make a few changes to help explain things better to the reader (shades of #1), but I can go on.

If the characters are confused and don’t have answers, then I truly have my work cut out for me. That’s when I move to #3 – put the project aside until my characters and I can figure out what’s what.

Goodness, there’s plenty of characters and stories out there for me to work on in the meantime.

To Do Lists

Do you have a To Do list?

Scratch that. Most everybody has one, but some people keep theirs in their head. Others - like me - know from experience that some things will ‘disappear’ and be forgotten if I keep my list in my head, so they go for something a little more tangible, like a grocery list.

My To Do list is on my computer. It’s the file I open first in the morning, and one of the last I close in the evening. It is currently 9 pages long. There have been times when it was 12 pages long, so I must be making progress, right?

Oh, not really. It’s time for my quarterly addition of tasks for another quarter. Once I’ve done that, it’ll be 11 pages, at least.

Some people think a list that long must be depressing. Some days it is, but I’m prone to depression. But I think of this list as a guideline. And at the end of each day, when I remove the items I’ve crossed off for that day, and transfer them to my Journal document, it serves as a reminder of what I’ve accomplished.

How could I possibly have a list that long? A lot of the ‘chores’ are repeating, and need to be done every day, or every week. And it covers every aspect of my life.  I list all my medications, and cross them off as I take them. I break down which room to clean which day of the week, and even that is broken into separate chores, like vacuum, clean windows, and so on. I might not get all those separate chores done each week, but I get some of them. Otherwise, I go into that room and am overwhelmed, wondering where to start. I keep track of which writing project to work on which day. (I typically have 2 I’m working on at a time; a rough draft and a rewrite.)

That list also includes doctor appointments, errands I need to run, projects for MoonPhaze, projects for my own marketing, projects for various organizations that I’ve volunteered to do....

I even have a reminder on there that we’ll probably need a new dishwasher in 2016.

Okay, so I have a long list. It’s long because I don’t want to forget anything, even the things I don’t really want to do. It’s how I keep myself organized. Sort of. Sometimes I have to put something off for a day because I underestimated how long I would need for something else. Like this blog post, which was supposed to be written yesterday.

No, it’s not perfect. But it’s mine.

And Then What?

I’ve been stuck trying to outline a mystery. This would be my first mystery, and maybe that’s part of why I’m stuck; I don’t feel like I know what I’m doing. I’ve even read a couple books on ‘how to write a mystery’, but I’m still stuck.

I’ve got my main protagonists. I’ve got the opening situation – a dead body in the trunk of a burning car. I’ve even got a minor complication to work in, in that some tiny clue will remind one of the characters of a significant time in her past. And then what?

I don’t know.

After finding the body, the Medical Examiner would fill in details, like the body’s gender, age, general size, and – hopefully – reason for death. Assuming the detectives on the scene could not figure that stuff out, and that would be determined by how badly the body was burned. That is where I’m stuck. There’s too many possibilities. Male or female? Child, teen, middle adult or old age? If female, was she pregnant?

Hopefully, deciding a few things would help me figure out those mundane little pieces of the plot – who killed this person, and why? The problem is, I’m too afraid I’ll make the ‘wrong’ decision.

I suspect there really isn’t any ‘wrong’ decision. At this point, any decision I make will point me in a direction, more decisions to be made, and so on, until the plot is settled. All I have to do is figure out which of the possibilities leads to the story I want to tell.

So wish me luck. Next weekend is Demicon in Des Moines, but I should be back on Sunday, so I’ll see you then. Trudy