The Secret

This year's World Science Fiction Convention was in Spokane, WA. The layout of the convention center made absolutely no sense. You entered on ground level, only to take an escalator to the 2nd level, where you could find registration, the dealer's room and the art show. From there, you could do one of 5 things:

·       Take an escalator down to one set of rooms,

·       go down a few steps to a down escalator to another set of rooms,

·       walk down a long corridor, turn left, follow a hallway to an (inadequate) bank of elevators to get to the hotel lobby, which you walked across to another set of rooms (I never personally made this trip, although I did try, once.),

·       don't turn left but continue down that long corridor to a down escalator to another set of rooms, or

·       walk past that set of rooms to take an elevator up a floor to yet another set of rooms.

Rumor has it that there were even rooms in another building that one had to go outside to get to.

Even with a map in the pocket program book, convention center staff were stationed at corners so people could ask, "How do I get to X?" We got our exercise!

There were wild fires in Washington, one of them north of Spokane. The city wasn't threatened, but on Friday, the smoke was as thick as heavy fog. Even inside, you could smell it. Played heck with people's sinuses.

But the thing I will probably remember most was The Secret. I heard it in a panel given by authors, and one of them quite nonchalantly stated, "I hate to give away secrets, but we authors don't come to conventions to see our fans; we come to network with other authors and people in the business."

I was shocked!

Now that I have thought about it, I wonder, Then why do they attend the smaller conventions? I mean the smaller, regional conventions where they may be the only 'known' author attending. No editors, no agents, only small press publishers. What would local authors and small press people offer?

I suppose networking is networking, and you never know, the person who is completely unknown this year could the Big Item next year. But still, the fan is in that mix somewhere, right?

How can you sell books if nobody wants to read it? If fans aren't important, why are newbie and wanna-be authors advised to produce the most excellent work they can, because "Your first book is what sells (or doesn't sell) your next book."

Okay, maybe this 'Secret' doesn't say it all. Maybe it was just my personal wake-up to use conventions, not just to have fun, but to network with like-minded people. That's not an easy thing for me to do. But I can talk to people, one or two at a time. Time to give it a try.

What Takes so Long?

What takes so long from an editor accepting a manuscript for publication and the book appearing in book stores? The process can take months or even years with a ‘Big Boy’ publisher.

Yet, there are exceptions: Books about some political scandal can appear days after the scandal comes to light; Biographies of a celebrity can be bought within a week of their death. So it can be done faster. Why isn’t it?

Small press and self-publishing don’t take that much time. How do they do it?

Editing. Every manuscript needs an editor. It may be the rare exception that only needs one comma added and one numeral (like 9) spelled out (into nine), but no publisher knows that until an edit is done. With the Big Boys, sometimes the editor who decides which manuscript to purchase is also expected to edit those manuscripts. Obviously, an established author’s manuscript will be edited before those by new authors. Small presses don’t publish as many books, and often use free lance editors, who fit their assignment into their schedule in order to meet their deadline. In my case, I ask for a month (and occasionally wish I had two).

Cover Art. This is, apparently, the next step for the Big Boys, because nothing else can happen without the pretty picture for the front. Of course this takes time, from concept through several renditions until it is ‘just right’. And then, it’s sent to somebody else to put the type (title, author, etc.) on it, and that may take several attempts before it is deemed ‘acceptable’. Remember, the Big Boys have many of these being done at the same time. Small presses, again, may work with free lance artists, who may even put the type on. Or they might use a stock photo, which takes even less time.

Reviews. I never paid attention to these myself, so I was surprised at how much emphasis is placed on getting them. In the past, reviewers expected to receive a printed book, complete with cover art, that they could read. This would be months before the book was officially published. Some still want it done this way, but others accept e-files of the book. Some small presses don’t get reviews early enough to quote them on the back of the book, so that cuts some time off the process.

Sales Materials. This seems to be a long, drawn-out ordeal for the Big Boys. Each book must get added to their catalog, the sales teams must be trained in how to best pitch it to the book stores... Many small presses don’t pitch to book stores, because the book stores won’t carry them. Therefore, their efforts for one book are simply added to the marketing of all the others they have available. Add it to their catalog and website, mention it in the newsletter and their social media comments. They might create fliers to send to gatherings of likely readers.

A typical Big Boy book stays on the shelf about 6 weeks. A small press may never ‘discontinue’ a book.

Is being published by a Big Boy worth wasting all that time? What do you think?

When to Listen

It seems like for every book, movie or gadget that comes along, there are plenty of people willing to tell everybody else how good or bad it is. Some of them actually get paid for it.

 Do you listen to any of them?

Years ago, the local newspaper had a movie reviewer. It didn't take long for my friends and I to realize that any science fiction movie that came along, he hated. Since we liked science fiction, why would we listen to him? Obviously, our opinions didn't agree with his.

More recently, I've noticed lots of people on Facebook writing their thoughts on this movie or that movie. It's understandable. Who do you talk with about movies you've seen if not your friends? I listen to these comments. Then I decide whether or not they will influence my decision about seeing that movie.

Other people's opinions are fine. Everybody is entitled to have their own opinion. If I listen to the comments of someone I know shares my likes and dislikes, then their opinion might effect my decision. If they have completely different likes and dislikes, their comments are not likely to effect my decision.

Isn't that the way it's supposed to be?

What about you? Seen any good movies lately? Read any good books?